A number of soloists are coupled with an orchestra in a concerto grosso. As a result, Option (A) is the best option.
What is Concentro?Since the late Baroque period, a concerto has generally been regarded as an instrumental work composed for one or more soloists and an orchestra or other ensemble. Beginning in the early 18th century, the usual three-movement structure—a slow movement (such as lento or adagio) preceded and followed by a quick movement (such as presto or allegro)—became the norm.
In the late 16th century, vocal music was the forerunner of the concerto.
Hence, Option (A) is accurate.
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the use of a quick, aggressively rhythmic theme rising from the low to the high register came to be known as
The answer of the given question is the Rocket Theme. The Rocket Theme is the use of quick, aggressive rhythmic theme rising from low to high register.
What is the Rocket Theme?
The Rocket Theme is the use of quick, aggressive rhythmic theme rising from low to high register. The Rocket Theme, Steamroller Effect and the addition of the minuet and trio creating a 4 movements cycle, were 3 of the essential contributions to the classical symphony which composed by composers in Mannheim, Germany.
The Rocket Theme is a benefaction made by Mannheim School of Music in 18th century which includes the use of a series of speedily ascending broken chords from lowest range of the bass line to the very top of the soprano line. One of the examples of the Rocket Theme is the opening in Mozart's Eine Kleine Nacht Music.
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the predominately french style that flourished in the early twentieth century and presents the listener with subtle timbres and somewhat abstract melody and harmony is known as .
The predominately french style that flourished in the early twentieth century and presents the listener with subtle timbres and somewhat abstract melody and harmony is known as Impressionism.
Claude Debussy, a French composer, popularised the musical Impressionism movement at the end of the 19th century. The rather ambiguous phrase, which refers to music, was first used to describe contemporaneous French painting.
Static harmony, an emphasis on instrumental timbres that produces a shimmering interplay of "colours," melodies that lack directed motion, surface ornamentation that hides or replaces melody, and a rejection of conventional musical form are examples of elements that are frequently referred to as impressionistic.
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